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Tuesday, July 24, 2012

Doug Sahm Month: Ramblers - Funky Side of Your Mind/Hello Amsterdam/Sir Doug's Recording Trip/One Too Many Mornings

Here's (sort of) three more from the Rough Cuts LP.  As requested, the tale of the Sir Douglas Quintet's trip to Amersterdam, and for historical purposes, "Sir Doug's Recording Trip".  But perhaps most interestingly, we're also bringing you "Funky Side of Your Mind".  Expect this post to ramble like a five minute mid-tempo Sir Douglas Quintet song.


As I've said in earlier posts this month, once Doug got to writing songs, some of his favorite topics were Lone Star Beer, Texas, and his own personal history, which sure did wig him out when he thought about what went down. No one could romanticize his own life in as charming, goofy, and wonderful way. "Sir Doug's Recording Trip" is his personal history, from being on record from the time he was five years old, to hooking up with the Quintet, to meeting Huey Meaux in Houston, to
having some chart success, to the moment of recording "Sir Doug's Recording Trip".

1-2-3-4-BINGO!
Sir Doug and Huey Meaux on a recording trip
taken from http://theragblog.blogspot.com*
"Hello Amsterdam" picks up the story where "SDRT" leaves off, with the Quintet really getting ready to go to Europe from their base in San Francisco. He sounds dissatisfied with the late 60s California scene and it sounds like maybe he's thinking about living on the "Urpean Cont'nent". He would of course settle for going back to Texas.


Is anybody going to Amsterdam, or maybe Barcelona?
Apparently the sessions that eventually made up the Rough Cuts album were, um, rather loose.  Many of the cuts fade up and fade down - arrangements created on the fly, minimal repeat takes, the usual crazy-artist-in-the-thralls-of-his-own-muse-at-the-expense-of-professionalism wondrousness.

One cut that features both a fade up AND a fade down is "Leaving Kansas City", a remarkably evocative (particularly for a lifelong Texas boy) ramble about getting out of the middle of America for stranger pastures. When I first discovered this song I had just "left Kansas City" (actually Columbia, MO) after 30 years, "bouncing around in space until I found my place". Sir Doug and I share a birthday, and considering his own love for zodiacal connectivity, I'm going to go a little hippie on y'all and admit that I've always wondered if it wasn't that shared birthdate, among other things, that connected me to his music so strongly.

You can hear Doug call out changes and instructions throughout the song as it lilts along over particularly strong and compassionate ("Crossroads" worthy!) DS vocal. But they obviously don't have an ending for it. I think that Augie Meyer must play the second guitar on this recording, since there's no piano or organ to be heard. On Rough Cuts the song fades after its little whistling coda, and that's that, a perfectly wonderful farewell-to-Mercury-records-last-song-on-the-album kind of a thing. But there's a full version of the take, or fuller, that is as far as I know only available on the Edsel She's About a Mover: The Best of the Sir Douglas Quintet Crazy Cajun Recordings CD (I think there's a one-and-two CD version) that continues past the fade, and into an otherwise unreleased pounder called "Funky Side of Your Mind".

FUNKY SIDE OF YOUR MIND
Sometimes CDs are good for something
As "Leaving Kansas City"'s chord changes go on and on and the band tries to find its way home, it sounds to me like drummer Johnny Perez has a sudden inspiration, as he switches from a country backbeat to a straight up pounding rock doubletime. He calls for the song "Funky Side of Your Mind", to which Doug responds, "Nah, man."  But Perez insists. "It'll work!" And into it they go, rocking out acoustic, and Doug fully commits, bringing his big "She's About a Mover" bellow out and transforming the wistfulness of "Leaving Kansas City" into a sudden rush of fiesty defiance, which to me sounds like the sort of thing he was looking for when he decided to "leave Kansas City" in the first place.

All-in-all a great lost look at the interband dynamics of the Quintet and one of the best SDQ recordings of the 70s.

And, what the heck, to wrap up and because I mentioned the whole shared birthday thing (and because it's kind of the same song anyway) here's one I never fail to play on November 6, wherever I am - from Together After Five, the "One Too Many Mornings/Got to Sing a Happy Song" medley. While it's always nice to think of all the time I've wasted (and it's not wasted) with Doug Sahm, it's the verse that starts at the 4:00 mark that always gets me.

One Too Many Mornings/Sing a Happy Song

One too many songs in this post?
*anyone interested in the multi-faceted and troubling story of Huey P. Meaux is directed to the Ragspot for a complete bio. 

Saturday, July 21, 2012

Funky Crimes - Life Is a Gamble

Preacher - Life Is a Gamble

Friday, July 20, 2012

Doug Sahm - High School Greaser

 
Doug Sahm & The Markays  -  Why Why Why

If you ever want to immerse yourself in some of Sahm's most formative early rock & roll efforts, you should definitely make it a point to check out the CD San Antonio Rock (Norton), which shines the spotlight on his hard to track down 45s cut between the years '57 and '61.

Andrew Brown's illuminating liner notes set the stage for the smouldering Why, Why, Why, a San Antonio favorite and Doug's big breakout local hit:  "....Doug (now a senior in high school) recorded Why, Why, Why at Texas Sound Studios in early 1960 with the great tenor saxophonist Rocky Morales and his band, the Mar-Kays.

Why, Why, Why was the first big hit, Doug told Deron Bissett.  "Funky record, I love it.  It was goin' up the charts when school was out.  It bugged me 'cause then I couldn't go to school to say, 'Hey look at me, boy....cruise around the drive-in and say 'Hey, I got a hit.  What are you doing?' "

Thursday, July 19, 2012

It's PAGAN WEEKEND @ The Fool's Paradise Twin

SEE PAGAN RITUALS !!
THRILL TO FORBIDDEN LUST !!
SUSPEND DISBELIEF !!!
THIS WEEKEND !

FIRST...

His Ancient Fingers Reached For Young Flesh !!
Parchment Love & Tannis Root Tea !!
Beware The Wrath Of Im-Ho-Tep !!

Boris Karloff
Zita Johann
in
THE MUMMY
(1932, dir. Karl Freund)

THEN... 

Battling Twin Sisters !! Good vs. Evil !!
Beware The Volcano God !!
Worship The Cobra !!
Maria Montez
Jon Hall
Sabu !
in
COBRA WOMAN
(1944, dir. Robert Siodmak)


FULL SERVICE SNACK BAR
featuring
Tasty Corndogs ! Refreshing Beverages ! Savory BBQ !
and 
- for this engagement only -
THE RETURN OF THE PUU-PUU PLATTER !
 
*No Outside Food Or Drink*
PROGRAM BEGINS AT DUSK
ONLY THOSE OVER 17 ADMITTED • LEGIBLE PROOF OF AGE REQUIRED 
  
THE FOOL'S PARADISE TWIN ACCEPTS
JAMES BROWN BLACK & BROWN STAMPS
JB_B&B_STAMP

Wednesday, July 18, 2012

Sir Douglas Quintet: Michoacan

Since Greg G sent Doug south of the border in an earlier post today, I thought this was an appropriate time to take another excursion down there, this time in the form of a single-only song from the Kris Kristofferson film Cisco Pike, "Michoacan".


I guess that working with the Crazy Cajun Huey P. Meaux wasn't quite enough crazy for Sahm, because "Michoacan" was co-written by the king of crazy, Kim Fowley.


Sir Doug actually appeared in Cisco Pike, which features a PRIMO cast of 70s performers, from Karen Black to Harry Dean Stanton to Antonio Fargas, and is almost sure to be playing at a Fool's Paradise double feature near you in the near future.  As a teaser, here's Doug's scene (about three minutes in), talking about how much he hates complicated California psychedelic music and prefers to keep it simple.  He also, unsurprisingly, needs some weed.



The song itself is such a crazy, happy goofed up bounce, and the scene in the studio is so positively loco, that for a while the word "Michoacan", divorced from any geographical context or even an upper case letter, became a code adjective among me and my friends for a messed up but kind of awesome situation, as in: "That party last night was pretty michoacan." This has of course taken on darker meanings since Michoacan became one of the central spots of south-of-the-border drug cartel violence. Surprised this number has not made it into "Breaking Bad". 

Speaking of pretty michoacan, check out this photo of Doug Sahm, Steven T. (aka Venus of Venus and the Razor Blades), Question Mark, and Kim Fowley.  If that's not the essence of michoacan, I dunno what is.


Next stop Nuevo Laredo?

Raise a glass of Alligator Wine!!!


Happy Birthday Screamin' Jay Hawkins!
There was TRULY something wrong with you!

Tuesday, July 17, 2012

Adios Mexico


Sir Douglas Quintet  -  Adios Mexico

Look, I know musical taste is something that's inherently subjective, but I defy you not to love this song.

Kitty Wells, R.I.P.


Kitty Wells  -  Jesus Loved The Devil Out Of Me 

Image borrowed from CarlaCarlaCarlaCarla's flickr stream.

Tassel Twirler Tuesday


Chop_Stick_Blues 

Monday, July 16, 2012

R.I.P. Kitty Wells

The Queen
Kitty Wells - My Big Truck Drivin' Man

Nice piece by Laura Cantrell

Saturday, July 14, 2012

Doug Sahm - I'll Be There


Sir Douglas Band  -  I'll Be There

Doug tips his cap to one of the all-time Texas greats, Ray Price....

Photo: Huey Meaux and Doug Sahm in the studio.

Funky Crimes - Coconut Brown

J.C. Davis - Coconut Brown

Thursday, July 12, 2012

Wayne Douglas aka Doug Sahm


Wayne Douglas - Be Real 

Released under a half-hearted pseudonym (he inverted his first & middle names), Be Real is an interesting gem from the Doug Sahm archives.   Sahm recorded it in Nashville with some Music City studio aces and it came out on Mercury, which was handling Doug at the time.  Unfortunately the record went nowhere but it's solid Texas honky-tonk shuffle that's sure to please any hard country fan.

Is Anybody Goin' To San Antone?

Another musical question from Ichiban courtesy of Doug Sahm.  A number one hit for Charley Pride in 1970.  Thanks to Postman Tom for the tape.

Sir Douglas Quintet: Who'll Be the Next in Line?

On this, the 50th anniversary of the Rolling Stones first gig, it seems fitting to present this version of the Kinks' "Who'll Be the Next in Line" from Austin City Limits in 1981. Doug starts out on guitar but after about a minute puts it away and "does his best Jagger".


Wednesday, July 11, 2012

Timothy Carey Double Bill @ Fool's Paradise Twin




VIOLENT !
BIZARRE !!
INSPIRED !!!
THIS WEEKEND!
  
TWO CLASSICS
FROM
THE INIMITABLE
TIMOTHY CAREY!!
 
FIRST...
  
 Mud Wrestling,
Zydeco Dancing,
JAIL BAIT
Straight From The Swamp!
See Tim Carey kick Peter Graves' Ass
in
POOR WHITE TRASH
(aka Bayou) 
 (1957, dir. Harold Daniels) 
 

 THEN...

The Violent Beatnik
With His Own Religion !
Where NOTHING Was Sacred !
Music by Frank Zappa !!
Carey At His Wildest !!!
in
THE WORLD'S GREATEST SINNER 
 (1962, dir. Timothy Carey)
 


 


FULL SERVICE SNACK BAR
featuring:

Tasty corndogs!  Refreshing beverages! Savory BBQ!  
and
- all season long -
PIC COILS 
on sale for your protection


*No Outside Food Or Drink*

PROGRAM BEGINS AT DUSK
ONLY THOSE OVER 17 ADMITTED • LEGIBLE PROOF OF AGE REQUIRED 
  
THE FOOL'S PARADISE TWIN ACCEPTS
JAMES BROWN BLACK & BROWN STAMPS

JB_B&B_STAMP

Tuesday, July 10, 2012

Dottie Cambridge He's About a Mover

If it was a hit on the pop charts for the Sir Douglas Quintet, producer Huey Meaux figured he could just alter the arrangement and lyrics to do the same on the R&B charts. Speed it up to an almost ridiculously fast pace, add some catchy horns and let Cambridge shout about a man instead of a woman.

While the Crazy Cajun clearly had a good idea on his hands with the recharged version, the single never garnered much airtime on the radio and failed to be a mover off the record store shelves.

Cambridge would later rechristen herself Dorothy Moore in the seventies and find her place on the charts with "Misty Blue."

Dottie Cambridge "He's About a Mover"

Tassel Twirler Tuesday!


Boodoo!

Where Life's Such A Groove You Blow Your Mind In the Morning...


In 1969, Hugh Hefner called upon the Sir Douglas Quintet to play live on his Playboy After Dark show, so Doug and the guys showed up and delivered this electrifying performance of Mendocino, providing some pretty solid evidence that Doug was the greatest hippie ever.  Admittedly, the competition may not have been all that stiff, but the clip really is a great deal of fun to watch.

Otis Clay Agrees


The very first 45 released by Cotillion Records (1968)

Monday, July 9, 2012

Doug Sahm: You're Doing It Too Hard


When the Sir Douglas Quintet broke up and Doug moved to Atlantic, Mercury records culled through a bunch of chaotic, mislabelled SDQ tapes from '68 and '69 and compiled the Rough Edges album, released in 1973. While presumably an attempt to cash in on the hypothetical success of his Atlantic debut Doug Sahm and Band, this is by far the better album. Everything you want in a Mercury-era Doug Sahm LP is here: fun rambling autobiographical self mythologizing, stoner philosophy, some blues, some country, outstandingly selected and performed cover songs, mumbled introductions, Lone Star Beer references, Augie Meyer. In "Dynamite Woman" there's even a hit.  Plus there's the out-and-out rocker "You're Doing It Too Hard". Songwise it's not much more than a jam - it sort of sounds like they're making it up in the studio as they go along. But performance wise it smokes, especially in the last minute when Doug stomps on the distortion and unleashes a wild chordal guitar solo.

You're Doing It Too Hard

Little Doug

Doug Sahm

Via Rolling Stone archives 1971

Sunday, July 8, 2012

Sir Douglas Quintet, 1981

 Sir Douglas Quintet  -  I Keep Wishing For You  (3:12)

Even in the early 80s, the Sir Douglas Quintet had the Midas Touch, in terms of quality if not necessarily commercial success.  I Keep Wishing For You comes from noted Texas songwriter Butch Hancock, a member, along with Jimmie Dale Gilmore and Joe Ely, of the Flatlanders.  This one gets my vote for 1981 Song Of The Year.

Saturday, July 7, 2012

Doug Sahm - She Purt The Hurt On Me


Doug Sahm  -  She Put The Hurt On Me

Juke Box Music has to be one of my favorite Doug Sahm LPs.  Released on Antone's Records in 1988 out of Austin, it gives Sahm the opportunity to send a big wet kiss to the classic R&B and doo-wop sounds that he loved.

She Put The Hurt On Me comes from the pen of Otis Redding and if you'd like to hear his version, here you go.

Funky Crimes - Black Shampoo

The Politicians - Funky Toes

Friday, July 6, 2012

Let's Go To The Beach!

Rita Hayworth


WFMU Ichiban on the go!

Or

Yardbirds Radio app.

Thursday, July 5, 2012

Happy 40th Anniversary WCBS FM

Harry Harrison
My favorite jock from the CBS years.  Here's a 1968 aircheck from WMCA.

Thanks to Spazz for making this happen!

Sir Douglas Quintet: Blue Norther


The flipside of the Tribe single "The Tracker" is an eerie minor key rocker called "Blue Norther". The term "blue norther" itself is Texan for a cold front that drops the temperature suddenly and brings a storm, usually followed by a period of blue skies and cold weather. With its menacing rhythm guitar, spooky backups and ominous Augie Meyer organ, this song evokes that sudden chill very effectively, signalling a uniquely Texan rock and roll band with deeper regional and musical roots than your average teenage combo.

While it's easiest to find "Blue Norther" on Tribe, the song was actually the flipside of the very first Sir Douglas Quintet single, released on Pacemaker in '64 (the topside was the Cajun stomper "Sugar Bee"). It's the same version as the Tribe version but has an earlier fade.




Shock After Shock @ Fool's Paradise Twin

GRUESOME EXPERIMENTS !
FLESH-EATING MAGGOTS !!
TEENYBOPPERS DEFILED !!!
THIS WEEKEND !!

TWO BIG NIGHTS
OF HORROR !! 

FIRST...

See Veronica Lake in Her Final Role !
in
FLESH FEAST
(1970, dir. Brad F. Ginter) 
 
THEN...
TEENAGE STRANGLER
(1964, dir. Ben Parker) 
   


FULL SERVICE SNACK BAR
featuring: 
Tasty corndogs!  Refreshing beverages! Savory BBQ! 
and
- for this engagement only -
GUMMY WORMS !
 

*No Outside Food Or Drink*

PROGRAM BEGINS AT DUSK
ONLY THOSE OVER 17 ADMITTED • LEGIBLE PROOF OF AGE REQUIRED 
  
THE FOOL'S PARADISE TWIN ACCEPTS
JAMES BROWN BLACK & BROWN STAMPS
JB_B&B_STAMP

Wednesday, July 4, 2012

Membership Card


Join The Sir Douglas Quintet International Fan Club!  (thanks to Postman Tom)

Cowboy Peyton Place

Doug Sahm Month: Tracker, Tiger, Jagger, Sahm


Sir Douglas's 2nd 45 on Tribe was fronted by this great "Searchin'" styled stalker stomp, here reproduced live on Shindig in July of 1965.  Let's take a moment to note that Sir Douglas and the Quintet all have their headcoats on.

When I first came across this song, it was on the Tribe "Best of the Sir Douglas Quintet" album (which I think we'll all agree is a fine way to title your very first LP). I didn't bother to check the song titles when I'd spin it, and I thought that the lyric was "I'm a Tiger". I guess I thought Sahm was hunting this object d'affection down to gobble her up. Certain lines really had to be twisted to get the verses to follow my delusional chorus. When I finally realized that he was saying "I'm a Tracker", the whole thing made much more sense. Thing was, my wife thought it was "I'm a Tiger", too.

Shortly thereafter, a couple of friends, newly married, came to town, and we were driving around the area with a Doug Sahm comp. tape blasting away. This song came on, and was playing for a while, when the bride in the back said, "Why does he keep saying 'I'm Mick Jagger?!?'"

This made even less sense than "I'm a Tiger" but was way funnier.

My thumbs will be her jail!

The Gowanus All-Stars!


Recorded live at the Rock Shop in Brooklyn on Monday, June 25th.  Catch them every Monday this month, except July 16th!

Gowanus All-Stars Live!!

Happy 4th!


1963 dancin' holiday from the good lovin', tater mashin' slop stompers.

Doug's Country Groove


Sir Doug & The Texas Tornados  -  Country Groove

Of all the tricks Doug Sahm had in his nearly bottomless bag, none made me smile more than his tendency to revel in his love for honky-tonk sounds, as he does on this 1976 album track that appeared on his Texas Rock For Country Rollers LP on the ABC-Dot label.  His lyrics, delivered over a superb shuffle beat, salute country MVPs like George Jones, Lefty Frizzell, Willie Nelson and fiddler Link Davis.

By the way, the Texas Tornados that appear here are not the same Texas Tornados that Sahm recorded and toured with beginning in the early 90s, though keyboardist Augie Meyers was on hand for both projects.  For much more information about this LP, and the opportunity to stream each track, head over to the Adios Lounge.  You'll be glad you did.

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