WOOLY GIRLY with the Sham-ettes and all the other ettes, on Crayons to Perfume! at 7pm Eastern, 4pm Pacific!

1-2-3 ... ETTES! Today on Crayons To Perfume! it's girl groups with the suffix "ettes" on their name, and the Sham-ettes are our girls of the week! A full hour of Fab-u-l-ette-s girl groups! https://wfmu.org/playlists/CE

Whig Your Way...TODAY! WHIG OUT! 8pm EST, 5pm Pacific!

Whig Your Way...from the 60's into the 80's with Richard and Glynis on the Whig Out, right after The Real Nitty Gritty! We've got 60's garage bands covering other 60's garage bands and 80's garage bands covering other 80's garage bands ... so grooveth your gourd, and flip your Whig tonight with the Fringe Factory! 8pm Eastern, 5pm Pacific!

God Save Stevie Wright

Sad news has come to pass with the legendary Stevie Wright dying this week at age 68.

Stevie was the unstoppable, frantic, and fabulous singer of Aussie legends The Easybeats.

The Easybeats WERE THEE band of the 1960s in Australia. They put that country on the map as a competitor of the British Invasion and the American scene. Featuring 2 Britons, 2 Dutch, and 1 Scotsman. They were simply one of the most rocking and original bands of the entire rock 'n' roll canon. Inventive riffs, humor, soul, and heart-stopping performances.

A lot of this was due to Stevie Wright who co-wrote most of their early hits with George Young, including "She's So Fine."

Just watch this insane performance of  another Wright/Young song "Sorry." Stevie is a man possessed by the power of teenage lust and rock 'n' roll.

Hit after hit followed for the boys until it was time for them to do what many Aussie bands did, which is find their fortune in England. Boy did they ever!

Teaming up with legendary producer Shel Talmy, the AMAZING "Friday On My Mind" album came of this collaboration, featuring the worldwide hit "Friday On My Mind." Which even made the top charts in the U.S.A.

Also from that album is my favorite version of "River Deep, Mountain High." Proving Stevie could pack a punch in the face of soul for such a small face.

Stevie will not be forgotten and left an incredible legacy of records, all worth searching out, if you haven't already!

The Real Nitty Gritty: Fying Saucers Rock n Roll tonight at 7

Tune in tonight to The Real Nitty Gritty for Flying Saucers Rock n Roll -- savage R&B, greasy rockabilly, gutbucket blues, gruesome garage, sweaty soul, sleazy instrotrash --
7pm on the WFMU Rock 'n' Soul Ichiban stream http://www.wfmu.org/

Meet The Dave Clark Five

Psychotronic Movie of the Week: Home For The Holidays (1972)

When the topic of holiday horrors comes up, most people mention Black Christmas (1974), Christmas Evil (1980), and Silent Night, Deadly Night (1984), but Home For The Holidays (1972) seems to have been largely forgotten. A made for TV thriller from back when made for TV movies could really pack a punch, Home For The Holidays is a taut, pre-slasher gem with Sally Field just fresh out of her role in The Flying Nun. She plays the youngest of four sisters (her siblings are played by Elanor Parker, Jessica Walter, and Jill Hayworth) who come home to visit their dying father (Walter Brennan) on Christmas. He gathers them together, tells them that his second wife (Julie Harris) is slowly poisoning him, and that he wants them to murder her. Tensions and suspicions are high in the large home as a torrential rainstorm comes down outside with large crashes of thunder every few minutes. A killer in a yellow raincoat starts taking people out one at a time. Is wife #2 the one wearing it? You'll have to watch to find out. 

Debbie Does WFMU

Tonight!  7-8 PM.  Join me here on the playlist.  For *adult enthusiasts* only.

Instrumental 45 of the Week!

SIDEWINDER! (listen/download)

It's the Fringe Factory's 8th Annual Rock-n-Psych-Mas! Dec 23rd, 2015

Happy Holidays Groovers...it's that time of year again! Celebrate the season with while I spin The Fringe Factory's Fave Garage-N-Psych Holiday hits from the likes of The Woggles, Bob Seger and the Last Heard, The Gruesomes, The Sonics ,The Cosmonauts, Wildebeests, Fleshtones, Psychic Ills, The Who and more! -Vikki V
  Listen to the show here!  (originally aired Dec 23, 2015)

Vashti Bunyan and Winter Girls tonight at 7 on Crayons to Perfume!

Vashti, Carol & Cheryl, Francoise Hardy, Irma Thomas and The Eighth Day ... all the girls of winter, tonite at 7 here: https://wfmu.org/playlists/CE

Book Report: Riot On Sunset Strip by Domenic Priore

The New Orleans of the West Coast!

That is what I thought after reading the fantastic "Riot On Sunset Strip" by Domenic Priore. A revised edition with a fantastic cover, pictures of the action and a story like no other.

The 1960s music scene in Los Angeles is prefaced with an old wild west tale of mobsters being run out of town, prohibition and fast money. This leaves the Sunset Strip area ready to be cared for by the burgeoning jazz and R&B scenes.

Famed vocalist Billy Eckstein broke the barriers of segregation at the clubs and the musician's union leading to hep cat jazz joints and the small club scene to flourish. Charles Mingus, Chet Baker, Gerry Mulligan and a host of other cool jazz and bebop swingers all made the strip home. Louis Prima and Keely Smith brought their hot New Orleans inspired swing to the Sunset Strip that led to crowds coming to dance and swing.

Also incredibly key to the scene, is the folk movement. The explosion of the folk scene is largely as a result of the R&B and rock 'n' roll scenes being destroyed by payola, death and racism. Protest and anger was to found in the words and music of Pete Seeger and Woody Guthrie. With the recent blacklist, oppressive racism, sexism and the Civil Rights movement about the explode, the time had come today.

The Strip catered to the surf scene and the R&B movement at the clubs. Many of the exciting hits came from Los Angeles during 1960-1963 era with The Beach Boys, The Pyramids, Thee Midnighters, The Platters and Sam Cooke all emerging from this early club scene.

Five lads enter the picture in 1964 and by 1965 they take the Strip to the world. The Byrds had the genius combination of Beatlesque tunes, protest courtesy of Seeger and Dylan, the jazz cool, and a ringing 12-string guitar that are bells of euphoria. The band achieved number 1 on the charts with "Mr. Tambourine Man," which led to an explosion of similar folk-rock and garage-punk bands. The Leaves, The Turtles, The Doors, The Standells, The Seeds, Buffalo Springfield and most importantly Love all appear on the Strip.


The Strip is presented as a place where ideas are shared, bands are of relative equal footing, people dance together and the world is changing for the better. Folk-pop of the Mamas and Papas and Sonny and Cher sit right along explosive Stax revues with the Mar-Keys and the Thomas' and everybody digs. The art world, television and radio all explode with the sounds of Ravi Shankar, John Coltrane, Otis Redding, The Rolling Stones, productions by Jack Nitzsche and Phil Spector.

Trouble begins just as The Byrds hit number one with the Watts Riots in 1965, a result of neglect and racism from the city at large. This leads to a fearful and ridiculously paranoid city. Their policy appears to be wanting to stamp out any sign of integration or change. With the extremely rich Beverly Hills right next to the Strip, it was only a matter of time for the city to make changes. One way they begin to stamp out the scene is by  attempting to close the clubs and build skyscrapers. The next stage is in 1966 to reenact old cabaret policies of dancing and curfews, leading to a sharp decline in the club's ability to draw crowds and maintain the momentum. This results in the riots on the Sunset Strip, which common to all riots, is caused mainly by police officers looking for trouble and dirt by instigating and escalating situations.

By 1967 the death knell is all but rung with the Monterey Pop Festival occurring in Northern California. Although largely the result of the excitement of the Strip, it leads to San Francisco to becoming the new center of action. With only Sly and the Family Stone reminiscent of the older Strip days of fun, dancing and togetherness. The rest of the scene is largely inward looking and snooty.  Rolling Stone magazine rewrote history to change the perspective of what it means to be a musician and a consumer of records.

All these changes happen at the same time as the escalation of the Vietnam War, the wholesale of radio and television to bigger corporations, the slow collapse of the power of the union, and a renewed evangelical conservatism.

This was a fantastic read and a definite recommendation to anyone with any interest in the 1960s music scene and how the Sunset Strip was truly a revolutionary force of art and positive change. I was left feeling that this same story could be told today in the 2010s with the collapse of music venues, the snark of Vice, still blatant racism and xenophobia, NIMBYs and the rise of skyscraper living.

Read this book and get inspired to keep on keepin' on!

Happy Winter Soul-stice!

Gray Georgia

Please enjoy the annual Winter Soul-stice celebration with yours truly and the one and only Gaylord Fields!