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Tuesday, February 21, 2012

Joe Tex: The Dapper Dropper

"If I were a disease - Dr. Feelgood would cure me!"
King Curtis, Aretha Franklin, JT

Joe was a master of the shout out. Whether shouting out to Rufus Thomas at the end of his "Walking the Dog" rip, "Looking for My Pig", or telling Elvis to "get it!" in his "Heartbreak Hotel" cover, JT always gave credit where it was due. 

The Ichiband of merry posters are huge fans of "I'm a Man", where Joe name checks B.B. King, Rufus Thomas, the Rolling Stones, James Brown, Willie Mays and Roger Miller. I think it's been posted four/ five times this month, but what the heck, here it is again.


But that's far from the end of the story - there are numerous examples of Tex giving his fellow soul singers some love in song. There was the 1970 single "You're Right, Ray Charles", wherein RC tells JT that he needs to stop singing slow songs and rock it out. Considering Ray's tendencies to cover "Eleanor Rigby" around this time I'm not entirely sure that this song makes any sense, but since Joe wrote from life, I wonder what the conversation described in this song was really like.


On "Woman Stealer", Joe, B.B. King, Bobby Blue Bland and Little Johnny Taylor have gotten together to stop woman stealers from stealing women.  Joe goes upside somebody's head yet again, but at least this time he's doing it to dudes. 


But the ultimate Joe Tex name drop song didn't get released until a 1985 UK double LP called Different Strokes, even though it's a 1970 recording. More on this comp in a few days. The song is a cover of a 1955 Ruth Brown hit, "I Can See Everybody's Baby". 


Joe's version is radically different. He turns it into a travelogue - Ruth sticks close to home looking for her baby, but Joe travels all over the US looking for his. And he just can't find her. But while he's looking, he "sees" the following women: Ray Charles', Johnny Taylor's, James Brown's (waitaminute! that's Joe Tex's woman!), Wilson Pickett's, Tom Jones', Clarence Carter's, Marvin Gaye's, Elvis Presley's, Joe Simon's, the Chambers Brothers', Sam and Dave's, Isaac Hayes', Lee Dorsey's, Bobby Bland's, Junior Walker's, Little Richard's, and Bobby Womack's.

Monday, February 20, 2012

Joe Tex Month Day 20 - "Papa Was Too" & "By The Time I Get To Phoenix" - Live and In Color in 1969

Joe Tex - Papa Was Too, By The Time I Get To Phoenix (Gala De ClĂ´ture 3.14.69) via bedazzled.tv

Joe Tex month day 20: the deep soul albums - Happy Soul & Buying a Book


By 1968, JT was at the peak of his popularity. He was one of the most popular live soul entertainers going (witness the numerous pictures from Greg G's trolling of the Jet archives of Joe getting mauled by fans) and he had a long string of winning R&B singles. 

And while the two albums he released these years continue to follow the Tex/Killen formula, they also have a deeper soul sound. Having the same sort of crossover appeal that typifies the earlier Dial releases does not seem to be a priority. Part of me wonders if this is because around the time Happy Soul was released in 1968, Tex secretly converted to the Muslim religion. He'd eventually change his name to Yusuf Hazziez and quit show biz completely for a few years, but more on that when we talk about I Gotcha.  


Regardless, they're both really good records with lots of great tracks.

Side one of Happy Soul in particular stands up with any LP side of soul music you'd care to name. A bunch of the tracks from this record have been posted elsewhere on Ichiban through the course of the month, but a couple haven't been covered yet. I'm a big fan of the home-town hi-jinx of "You Need Me", which has an almost Tom T. Hall vibe to it in terms of its telling little details. "Some were crying, and some bought lunch!"

And my DJ box is always packing the freight train of laffs that is "Go Home and Do It", because of one glorious occasion when I played it, much to the crowd's delight, right after some jerky couple finally got kicked out of one of my gigs for being obnoxious.


Buying a Book has another great autobiographical song about Joe's early Texas childhood, "Grandma Mary" and the civil rights anthem "We Can't Sit Down Now".  And of course there's the title track.
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Now, can someone actually explain to me what the phrase "buying a book" actually means? I haven't been to figure that out for 20 years.


Texmania Sweeps Miami


Joe Tex sure knew how to work a crowd into an over-heated frenzy, as indicated by this 1965 Jet article. And apparently the fever didn't exactly die in '65!

Sunday, February 19, 2012

Blue Light Special!

Since you're going to make a pledge to WFMU's 2012 marathon anyway, why not maximize your swag?

Any person who pays their pledge of $180 or more by Feb. 26th will receive the Vintage WFMU Pack - Upsalapalooza double CD, Crackpots & Visionaries Vol. 2 card set, plus a classic issue of LCD (WFMU's old 'zine).



Plus!

3 DJ Premiums, Global Domination Bag, new WFMU T-shirt and naming rights to a WFMU Fixture.

Might I suggest:


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DJ premiums can also be yours for a pledge of $75 each.

WFMU


Louis Jordan, 1954



The King Of The Jukebox auditions a new band member. Courtesy of the JET archives.

Below, Jordan can be seen still going strong in a 1966 appearance on The !!!! Beat.

Joe Tex month: The Joe Tex Band


Let's hear it for the band!


Saturday, February 18, 2012

Joe Tex Month: The Coasters/Sleepy LaBeef Connection

 Joe Tex covers show up in the oddest places. Buddy Killen was one busy song-selling-son-of-a-gun from next door.


Both bands cover Joe's Buying a Book-era snotty little ode to germophobia, "It Ain't Sanitary". It's tailor made for the Coasters, and they really ham it up. It makes me wonder if he wrote it for them. A Coasters Sing Joe Tex album would have been great.  


But it's kind of weird when Sleepy Labeef covers the same song on his Sun LP, the bull's night out.

Sleepy must have liked Buying a Book, because this album's also got a cover of the title track. Since the song is mostly one of JT's sermons, it's pretty weird to hear him cover it in his Sleepy baritone, word for word.

Joe Tex's Green Green Grass Of Home



Yesterday, Dr. Filth put up a fine post examining the intersection of the worlds Joe Tex and Roger Miller, which reminded me of another Joe Tex effort that came out of the country field.

The Green, Green Grass Of Home begins with a man happily recounting his eagerness to return to the familiar comforts of home after a long absence. There is, however, a catch. As the song unfolds, we learn the man is actually a Death Row prisoner and he's only been dreaming of going home. In reality, he is to be executed the following morning.

It's become something of a standard in the years since 1965 when singer Johnny Darrell released the original version of the song, followed almost immediately by Porter Wagoner's definitive interpretation, in which he added an extra layer of intensity by doing the final verse as a recitation. Tom Jones took the song to #1 in the UK in '67 and Merle Haggard, Elvis Presley, Jerry Lee Lewis and Hank Snow, among many others, also recorded memorable versions.

So, all that said, check out Joe Tex's moving version of The Green Green Grass Of Home, performed live on Spanish television in 1968.

Friday, February 17, 2012

Joe Tex month day 17: Dang Me/Show Me! The Joe Tex/Roger Miller connection


"If I were a silly grin, I'd like to be worn on Roger Miller's face."
-Joe Tex-

Buddy Killen was the Joe Tex/Roger Miller connection. He was lifelong buddies with Miller, brokered several of his record deals, managed his publishing and sat the crazy laughing ADD genius down to complete his songs.

According to "I Love You Drops" singer Bill Anderson, "Roger would come in with seven or six lines of a song. It'd be something fabulous, and Buddy would just have to almost take him and chain him to the table to make him finish."

Killen was also one of the snappers on the giant Miller hit "King of the Road".

Joe Tex covered three different Roger Miller songs throughout his Dial career, and it wasn't just the fact that  Killen helped make them the successful artists they were that made them simpatico. Both singers managed to say deeply profound things in often ridiculous contexts, and conveyed both happiness and humor in their performing style in a way that is absolutely captivating and infectious. And they were both funny as do-wacka-do.

JT covered "King of the Road" on The New Boss, "Half a Mind" on I've Got to Do a Little Bit Better, and "Engine Engine #9" on Soul Country.

And on Hold What You've Got, he wrote his own Roger Miller homage/parody, "Are We Ready?", the last verse of which goes out to Newt Gingrich.

Joe Tex with Buddy (right) and journalist Charles Lamb (center)

And just because it's too long to wait until Roger Miller Month, here's Roger and Johnny Cash.

I just told myself a dirty joke!

For more information on Roger Miller and Buddy Killen, check out the informative bio on the official Roger Miller website.


Please Mr. President...


Jon Savage - New Fangled Jingle Jangle Swimmin' Suit from Paris

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