Joe Tex sure knew how to work a crowd into an over-heated frenzy, as indicated by this 1965 Jet article. And apparently the fever didn't exactly die in '65!
TuneIn
Monday, February 20, 2012
Texmania Sweeps Miami
Posted by Greg G at 10:07 AM 2 comments
Labels: 1965, Greg, Jet, Joe Tex Month, R and B
Sunday, February 19, 2012
Blue Light Special!
Since you're going to make a pledge to WFMU's 2012 marathon anyway, why not maximize your swag?
Any person who pays their pledge of $180 or more by Feb. 26th will receive the Vintage WFMU Pack - Upsalapalooza double CD, Crackpots & Visionaries Vol. 2 card set, plus a classic issue of LCD (WFMU's old 'zine).
Plus!
3 DJ Premiums, Global Domination Bag, new WFMU T-shirt and naming rights to a WFMU Fixture.
Might I suggest:
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DJ premiums can also be yours for a pledge of $75 each.
Posted by Debbie D at 3:42 PM 0 comments
Louis Jordan, 1954
The King Of The Jukebox auditions a new band member. Courtesy of the JET archives.
Below, Jordan can be seen still going strong in a 1966 appearance on The !!!! Beat.
Joe Tex month: The Joe Tex Band
Posted by Mr. Soul Motion at 10:00 AM 0 comments
Labels: Dr. Filth, Joe Tex, Joe Tex Band
Saturday, February 18, 2012
Joe Tex Month: The Coasters/Sleepy LaBeef Connection
Joe Tex covers show up in the oddest places. Buddy Killen was one busy song-selling-son-of-a-gun from next door.
Posted by Mr. Soul Motion at 10:00 AM 0 comments
Labels: Coasters, Dr. Filth, Joe Tex, Sleepy Labeef
Joe Tex's Green Green Grass Of Home
Yesterday, Dr. Filth put up a fine post examining the intersection of the worlds Joe Tex and Roger Miller, which reminded me of another Joe Tex effort that came out of the country field.
The Green, Green Grass Of Home begins with a man happily recounting his eagerness to return to the familiar comforts of home after a long absence. There is, however, a catch. As the song unfolds, we learn the man is actually a Death Row prisoner and he's only been dreaming of going home. In reality, he is to be executed the following morning.
It's become something of a standard in the years since 1965 when singer Johnny Darrell released the original version of the song, followed almost immediately by Porter Wagoner's definitive interpretation, in which he added an extra layer of intensity by doing the final verse as a recitation. Tom Jones took the song to #1 in the UK in '67 and Merle Haggard, Elvis Presley, Jerry Lee Lewis and Hank Snow, among many others, also recorded memorable versions.
So, all that said, check out Joe Tex's moving version of The Green Green Grass Of Home, performed live on Spanish television in 1968.
Posted by Greg G at 8:59 AM 0 comments
Labels: Country, Greg, Joe Tex, Joe Tex Month, Porter Wagoner
Friday, February 17, 2012
Joe Tex month day 17: Dang Me/Show Me! The Joe Tex/Roger Miller connection
Posted by Mr. Soul Motion at 11:19 AM 3 comments
Labels: Buddy Killen, Dr. Filth, Joe Tex, Johnny Cash, Roger Miller
Please Mr. President...
Posted by Jukeboxmafia at 11:00 AM 0 comments
Labels: Jukeboxmafia, novelty, Swimwear
Thursday, February 16, 2012
Ichiban One-Liners!
Here are some fun facts that you may not know about WFMU:
• We have made our signal available worldwide via the internet.
• We now offer podcasts, blogs, alternate webstreams and an enormous programming archive,
providing our online listeners with countless forms of entertainment.
• And we have done all of that without accepting money from corporations or underwriting.
• WFMU is completely independent, which is a claim that few
other non-commercial stations can make. We have to pay for everything
ourselves, from headphones to rent to electricity, roof maintenance,
telephones, etc. There's no "them" to give us any kind of support
whatsoever.
• WFMU DJ's do not get paid. No one gets reimbursed for labor, travel, expenses, "Santo research", parking tickets, 45s.
• We're economical and resourceful. When a piece of equipment
breaks, we try and fix the old one. Our headphones are held together by
duct tape and our turntables are supported by inner tubes.
• WFMU does not take money with strings attached. We don’t accept money from a university or underwriting.
Once a year we throw a big fundraising party and invite every listener to throw in a few clams to keep us on the air for one more year. That means you!! We even offer fabulous prizes and swag for your pledge of support.
A $50 pledge gets you entered in the drawing for Ichiban One-Liners, complied by artist extraordinaire, J.R. Williams!!! Pledge here before Friday, February 24th at 5:00 PM EST.
More infos coming your way next week!!
Posted by Debbie D at 6:15 PM 3 comments
Labels: Debbie D, J.R. Williams
Joe Tex month day 16: Soul Country
“You wanna know my secret for getting a cross-over hit? I used the same formula every time – half soul musicians, half country.” - Joe Tex
Once Joe Tex and Buddy Killen started collaborating, country music became an essential part of JT's sound. Killen was an ex-bass player at the Grand Ole Opry, and was also a Nashville song publisher with vested interest in Tree Publishing. Under Killen's influence, some of the country elements present in Tex's early music were brought front and center. Most of his LPs included a straight(ish) country number or two, and countrified arranging techniques added surprising elements to hits like "I've Got to Do a Little Bit Better Than I've Been Doing".
The 1968 Country Soul LP is all country songs, and with the exception of "If I Ever Do You Wrong" they're all covers. I suspect that part of the reason for the song selection on this LP, and part of the reason for some of the cover choices on other LPs ("Heartbreak Hotel", for instance) is because Tree Publishing owned the rights to the songs, so Killen got some bread coming and going.
But the results are a pretty good LP - maybe some of the cover choices could have been better suited to Joe's natural abilities, but it was still one of the first full-length country LPs by a soul artist. And while folks like Ray Charles, Arthur Alexander and Solomon Burke were working similar veins, Joe's approach as always made the best of the songs uniquely Tex. Many of the notable numbers got posted in the "Joe Tex Show" post of February 15, so you should just go watch them there.
But there are a couple of other real winners on the record that deserve extra attention. His version of "Time Slips Away" is pretty hilarious - underneath the ordinary lyric of the Nelson standard, a second JT mumbles unspoken words of resentment. It's like Joe's dueting with his own subconscious.
But the track I love most is his chitlin' circuit version of "Ode to Billy Joe". I don't know whose idea recording the Bobbie Gentry megahit was, but the results are inspired. The funky soul arrangement drives the song from a lazy lope to a solid mid-tempo dance number, and Joe makes a number of lyrical modifications to personalize it. These make the song even weirder than it already was.
Posted by Mr. Soul Motion at 11:56 AM 1 comments
Labels: Bobbie Gentry, Dr. Filth, Joe Tex, Willie Nelson
Wednesday, February 15, 2012
Joe Tex month day 15: The Joe Tex Show - complete! - THIS IS GENIUS
Posted by Mr. Soul Motion at 10:00 AM 3 comments
Labels: Dr. Filth, Joe Tex, superhuman microphone tricks