Jaguar_Hunt!
Thursday, February 17, 2011
Adjust Your Color: The Truth of Petey Greene
Watch this Amazing doc about DC "shock jock" Petey Greene on PBS. Available online until February 22!
Go!
Tuesday, February 15, 2011
Guitar Lightnin' Lee
Guitar Lightnin' Lee is coming to town this week. You've probably never heard of him. Neither had I, until I wandered out onto the back patio at the Ponderosa Stomp in New Orleans last fall to take a break from the overcrowded main room. Who was this gentleman in the cowboy shirt playing guitar sitting in a chair, backed by a band about 20 years his junior playing high octane rock and roll and blues, kicking all kinds of ass and following him through his oddly placed chord changes like it was easy? His songs sounded mostly, basically, like Chuck Berry or Jimmy Reed. That might be a little bit of an oversimplification, and I don't want you to think that this is some kind of imitative nostalgia act, because Guitar Lightnin' Lee and the Thunder Band were on fire and very much in the moment. How can I explain it? When I hear, say, a beat up 45 of "Sweet Little Rock & Roller" blasting out of the speakers, I don't think "Wow, this takes me back to another time when I wasn't even born yet, before music sucked like it does now." I think (if I'm thinking anything at all), "This sounds really good RIGHT NOW". And thus it was on this autumn night in New Orleans. Sometimes he would play a Chuck Berry guitar intro and it would go into a Jimmy Reed sounding song, or vice-versa. I have no idea how the band knew what to do, but they did. After a few songs I was hooked and had completely forgotten about whatever bigger-name act I was waiting to go back inside for. Then Guitar Lightnin' said "Okay, we got one or two more" and the crowd let out that collective "awwww" whiny-kid sound. Then he played one or two more. And then some more. Like another hour and a half at least. It kept going like that. "We got one more", followed by ten more songs. The longer they played, the more intense and loose and crazy it got. The Stomp was an embarassment of riches, as it is every year. At the 2010 edition I saw Sugar Pie DeSanto, DL Menard, Roy Loney and Cyril Jordan of the Flamin' Groovies backed by the A-Bones (and Lazy Lester playing harmonica on "Scratch My Back"!), The Trashmen, Tommy Brown, Roy Head, and on and on, but if forced to pick the best act I saw, I would have to say it was Guitar Lightnin' Lee and the Thunder Band. So there.
Our pal Todd-o-phonic Todd was there too. I remember because we looked at each other while the show was going on with that look that says "are you effin' kidding me?" I also remember because he yelled a lot and tried to shimmy up one of the cables that held up the tent that hung over the patio and got admonished by House of Blues security. Anyway, reached out to for a blurb from a nightlife tastemaker, Todd had this to say:
"Guitar Lightnin' Lee truly captures lightnin' in a bottle, as long as it's a whiskey bottle. Mix up Chuck Berry, Jimmy Reed and a good chunk of old fashioned New Orleans hoodoo and you've got the musical equivalent of Razzles. Is it rock'n'roll? Blues? R'n'B? I don't know...all I know is....IT SPLITS MY MIND WIDE OPEN!!!"
Hells yeah!
And now you jaded New Yorkers have a chance to get some for yourself.
Thursday February 17th: Live on Three Chord Monte with Joe Belock on the mighty WFMU, noon to 3 PM
Thursday February 17th: Lakeside Lounge, NYC
Friday February 18th: The Bell House, Brooklyn. Opening for the Reigning Sound, who feature our own DA the DJ on keyboards and friend of the Ichiban Greg Cartwright (Oblivians, Compulsive Gamblers, Parting Gifts), who is the best songwriter we have on the planet right now. The Reigning Sound put on a scorching live show and I imagine they will step it up an extra notch when they have to follow Guitar Lightnin'! Also on the bill: Detroit's The Sights.
Saturday February 19th: Maxwell's, Hoboken NJ
Sunday February 20th: Trash Bar, Brooklyn NY
Here are two tunes that I ripped from the double 7" single I got after that show in New Orleans. Purchase it here, buy the self-released CDR here or buy them at one of these shows. The 7" features Antoine Domino III on piano! Yes, that is who you think it is. These are posted to give you a taste of what a treat you're in for. Buy the damn record and/or CD, ya freeloaders.
Guitar Lightnin' Lee and his Thunder Band:
Going To Amsterdam
Mississippi Alabama Bound
Our pal Todd-o-phonic Todd was there too. I remember because we looked at each other while the show was going on with that look that says "are you effin' kidding me?" I also remember because he yelled a lot and tried to shimmy up one of the cables that held up the tent that hung over the patio and got admonished by House of Blues security. Anyway, reached out to for a blurb from a nightlife tastemaker, Todd had this to say:
"Guitar Lightnin' Lee truly captures lightnin' in a bottle, as long as it's a whiskey bottle. Mix up Chuck Berry, Jimmy Reed and a good chunk of old fashioned New Orleans hoodoo and you've got the musical equivalent of Razzles. Is it rock'n'roll? Blues? R'n'B? I don't know...all I know is....IT SPLITS MY MIND WIDE OPEN!!!"
Hells yeah!
And now you jaded New Yorkers have a chance to get some for yourself.
Thursday February 17th: Live on Three Chord Monte with Joe Belock on the mighty WFMU, noon to 3 PM
Thursday February 17th: Lakeside Lounge, NYC
Friday February 18th: The Bell House, Brooklyn. Opening for the Reigning Sound, who feature our own DA the DJ on keyboards and friend of the Ichiban Greg Cartwright (Oblivians, Compulsive Gamblers, Parting Gifts), who is the best songwriter we have on the planet right now. The Reigning Sound put on a scorching live show and I imagine they will step it up an extra notch when they have to follow Guitar Lightnin'! Also on the bill: Detroit's The Sights.
Saturday February 19th: Maxwell's, Hoboken NJ
Sunday February 20th: Trash Bar, Brooklyn NY
Here are two tunes that I ripped from the double 7" single I got after that show in New Orleans. Purchase it here, buy the self-released CDR here or buy them at one of these shows. The 7" features Antoine Domino III on piano! Yes, that is who you think it is. These are posted to give you a taste of what a treat you're in for. Buy the damn record and/or CD, ya freeloaders.
Guitar Lightnin' Lee and his Thunder Band:
Going To Amsterdam
Mississippi Alabama Bound
Monday, February 14, 2011
Sunday, February 13, 2011
Saturday, February 12, 2011
That Don't Make No Sense No. 1: 'Ling Ting Tong' — Chinatown, My Chinatown?
In this ongoing series, we shall explore the incongruities, illogic and idiocy to be found in many of our favorite songs.
The Five Keys announced themselves as the progenitors of "wok 'n' roll" with "Ling Ting Tong," their Top 5 R& B smash from 1955. This work of proto-doo-wop vocal harmony from Column A, coupled with a lyrical penchant for exoticism from Column B, became the recipe for a veritable pupu platter's worth of "chop suey rock" singles to follow.
And while one shouldn't have much of an expectation that a quintet of R&B slingers from Newport News, Va., would be Geography Bee champs, their curious knowledge of matters of a municipal nature can only be called, for lack of a better word, inscrutable.
Just take in the opening lines of "Ling Ting Tong" (okay, to be precise, the first words that are actually delivered in English, following the beautiful nonsense of "Tie-sa-mokum-boo-dye-ay/Tie-sa-mokum-boo"), and make sure to have your favorite head-scratching finger poised and at the ready:
I went to Chinatown
Way back in Old Hong Kong
To get some Egg Foo Yung
And then i heard a gong
Now, this author can't claim to be an absolute expert on provincial affairs as they pertain to Sino-British colonialism in the 19th and 20th centuries, but under what line of reasoning would someone presume that Hong Kong has its own Chinatown? That would be akin to singing about picking up a couple of scoops of gelato in Rome's Little Italy!
Why, the whole thing makes me throw my hands up and exclaim, "That don't make no sense!"
Friday, February 11, 2011
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